
Don Cherry is one of my all-time faves, and I've posted a few of his things on here before. The thing is, apart from a few moments, I don't hear him too much. This is definitely the sort of thing that he would be involved with, but this is not so much a vehicle for his playing, but an example of the type of thing he wanted to surround himself with. I always felt that, setting aside his eccentricities, especially later in his career, Cherry was the anti-jazzbo trumpeter. While people say his technique was wanting here and there (I'm not proficient on the instrument, so I'm not sure I can verify this), his imagination, his way of making phrases and tones fit in with what the group was doing, was unquestioned. I think for Cherry, instead of learning the idiom perfectly (as Miles did, before he started his own stylistic expansion), he wanted to blend what he could do with things that he enjoyed, almost from the outset.
Cherry's "world" recordings, basically easily dated as 70s mixtures with rhythms and wind instruments immediately recognized vaguely as music from outside the Western tradition, have a life of their own, and still are exciting listens today. However, this one is peculiar because he is a side man, and from what I can tell, his pairing here is with European fellow travelers, equally interested in looking outside their national border. The result is not dissimilar to the type of sputtering post rock rhythms you might here from this or that collective in the 90s, with a touch of 70s and jazz material, of course (this in from the 80s, but you get the point).
Anyway, there are much better reviews of this, but hopefully you can get out of it what I do, a fledgling attempt, one I rarely hear anywhere until much later (again, some of the directions rock based acts would go to when reaching for jazz, resulting in a few strains of post-rock), and the enthusiasm. Beautiful record.
Cherry's "world" recordings, basically easily dated as 70s mixtures with rhythms and wind instruments immediately recognized vaguely as music from outside the Western tradition, have a life of their own, and still are exciting listens today. However, this one is peculiar because he is a side man, and from what I can tell, his pairing here is with European fellow travelers, equally interested in looking outside their national border. The result is not dissimilar to the type of sputtering post rock rhythms you might here from this or that collective in the 90s, with a touch of 70s and jazz material, of course (this in from the 80s, but you get the point).
Anyway, there are much better reviews of this, but hopefully you can get out of it what I do, a fledgling attempt, one I rarely hear anywhere until much later (again, some of the directions rock based acts would go to when reaching for jazz, resulting in a few strains of post-rock), and the enthusiasm. Beautiful record.
10 comments:
If I see well, on the right it is the sarod player Krishnamurti Sridhar. About 15 years ago I discover and listen often to his wonderful "Raga Kaushik Kanada" (recorded in 1983).
Curious to listen to this one even if K.S. is not anymore on my top 10 sarodias.
By the way are there Indian Classical Music lovers around here?
http://idontwanttochangetheworld.blogspot.com/
Dumbest shit ever. Collection of P4K hyped bands that realize popularity is not P4K hype, but actual people liking your music. Surprisingly few people actually would be willing to pay for a P4K hype job. Screw them...
Have any of you heard the Kurzmann/Stangl release "Neuschnee"? It is by far the best thing I'll hear all year. Totally killedincars material. Think you guys would love it, but you probably shouldn't post it since Jon checks all the blogs and tells people to take down links.
I've heard it, but I promised Jon that KiC wouldn't post any more Erst stuff. We had a couple last year, and he politely asked us to stop. I love his label, and I will always defer to the label's wishes. That is a great record, tho.
Most of the label's output is great, so you can't go wrong.
that link is disgusting, paul.
Oh yeah, don't get me wrong, it's fine that Jon doesn't want it posted and great that you respect his wishes, I just kinda was wondering if anyone else loved it as much as me. Thanks for the great blog.
love hyper-global jazz like this. and what an accomplishment when it isn't just an offensive collection of stereotypes.
It was certainly interesting for me to read this article. Thanx for it. I like such topics and anything connected to them. I would like to read a bit more on that blog soon.
Great article as for me. It would be great to read a bit more about that topic.
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You know what, use Bluetooth jammer to block all secret transmitters in your home or at work.
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