
Incredibly satisfying instrumental avant-folk. Very listenable. Had Cerberus Shoal started to worry that they no longer sounded "post-rock" after the release of The Land We All Believe In, this might be what the reversion and subsequent failure (genre-wise) would have sounded like. Both musicians have been involved in countless other projects: Carla with Charming Hostess, Tin Hat, Book of Knots, 2 Foot Yard, and Fred Frith; Shahzad with Tom Waits, Eyvind Kang, Arto Lindsay, and even Mike Doughty (Ruby Vroom is better than you all think it is, but I'll save that tangent for another time). The list for both artists is of course, much longer, but there is only so much I am willing to write at 2:30 in the morning. Get it.
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