Hip-hop. It's a noticeably touchy subject for extreme music geeks. Hip-hop heads tend to exist separately from your typical KiC-affiliated music obsessive. The only reason I can think of is the tendency for MCs to focus on the superficial. Bragging about how dope you are, or how much money you have, or how fucked up it is in dilapidated inner-city America, or being casually misogynistic isn't something our typically introverted heads have an easy time relating to. I'm not going to sit in my comfortable home, listening to Brotzmann or something similar and think, "I'm the shit."

Maybe that's why for me, the MC is secondary to the producer. My first concern is the quality of the beats and music. That said, it's definitely going to take away from the music if the MC is "whack." That's why Pete Rock & C.L. Smooth are perfect. Pete Rock, along with Madlib, Dilla, and Primo, is one of my absolute favorite producers. Speaking of Dilla (creator of the masterpiece Donuts, my most recent 5-star rating on RYM), Pete Rock was his idol. Apparently Pete Rock showed up during the recording of Fantastic Vol. 2 (by Slum Village, Dilla's original Detroit group) and Dilla had this spinning at the time. He told Pete this about when he was starting out: "I was trying to be you."

C.L. is nearly as great. He makes rapping sound easy. I guess that's why they call him Smooth. His flow is so effortless, it's insane. The closest comparison I can think of is Nas. It's clear that these two were made for each other, the chemistry is that good. Gang Starr has something similar going on, but Guru just isn't on the level that C.L. is.

In terms of production, The Main Ingredient builds on the soulful, jazzy sound of their classic debut, Mecca & The Soul Brother. The sound this time around feels more inspired by Tribe's Midnight Marauders, which came out the year before. It definitely pushes that sound forward. In fact, the first voice you hear on the record is a sample of Q-Tip from one of the first tracks on Midnight Marauders declaring "Pete Rock is in the House." That's part of what I love about hip-hop, when there is a definite inspiration being taken from a specific source, it feels more like a respectful give-and-take than a rip-off (which is especially impressive seeing as when you get down to it, sampling is the most direct no-bullshit way to rip something off). There is such an incredible exchange of ideas and mutual respect among hip-hop artists (it's such a shame that white media only recognizes the "beefs"). In the early nineties this was the reason the genre seemed to be excelling so rapidly. I don't know what happened. That collective-mind seems to have been broken, and now the innovators seem like anomalies. Though it lacks a classic on the level of "T.R.O.Y." The Main Ingredient is overall of a more consistent quality, and I find that much more impressive than a patchy record with a handful of classics on it.

5

View comments

We've long moved on to another location. However, this site has gotten out of control, so I've cleaned it up a bit. A few upload requests have been honored for the last time, the design has been tweaked, and spam has been cut down (drastically).

Below are the links to the active iterations of KILLED in CARS.

----------Artist

Label

Discogs

last.fm

RYM

Given the impressive size of his back catalogue (measured both in depth and breadth), it is easy to approach a new Evan Parker album with trepidation. This reaction is understandable; it seems almost natural to expect that after decades of output, an artist or band must begin churning out steaming turds -- with age it all comes undone, or something like that. So then Mr.
3

----------Artist

Label

Discogs

last.fm

RYM

Here's another from docperkins (and I strongly recommend it):

Some people believe that a photograph captures the soul and fend-off a camera as if the essence of their being is about to be abducted at the imminence of a click. Ablinger atonal works operate along the same capturing principle, extracting the music of celebrities’ speeches, concomitantly to the celebrities uttering that speech.
7

----------

Artist

Label

Discogs

last.fm

RYM

Rdeča Raketa is a Vienna-based duo comprised of Maja Osojnik and Matija Scdellander, whose 2010 collaborative cassette, “Old Girl, Old Boy,” combines their admirable and respective training in electronic and improvised music composition.
5

----------

Artist

Label

Discogs

last.fm

RYM

A Moraine is a geological phenomena; the accumulation of unconsolidated debris, soil and rocks compacted under glacial drifts. Over time these assemblages of loose matter form topographic features gradually exposed to the surface world by retreating glaciers.

Govrins' work evokes this process. Particles of sound are held in a state of suspension, encapsulated by frosty ambiance.
3

----------

Artist

Label

Discogs

last.fm

RYM

If the universe operated in accordance with my own personal whims and motives, then KiC would phase out this whole avant-classical thing it's gotten itself entrenched in and start posting really great jazz records again. I'm going to try to get the ball rolling with what in my eyes is at least a very good one. First Impressions made - at the risk of sounding like a complete ass - a truly great first impression.
21

----------

Artist

Label

Discogs

last.fm

RYM

Things fade in and out a lot on Jesse Somfay's A Catch in the Voice.

The Canadian producer's latest album is split across two discs, with the first containing ambient compositions and the second being more minimal techno-based.
6

----------

Artist

Label

Discogs

last.fm

RYM

Continuing with our series of "What's So Great About Modernity?" is this wonderful collection of Vinko Globokar compositions. Those who are familiar with Globokar likely are thinking, "wait a minute here;" I ask these readers to indeed wait as I provide a snippet of Vinko's background. Mr.
9

----------

Artist

Label

Discogs

last.fm

RYM (Cage)

RYM (Tenney)

When an ensemble dedicates itself to performing and recording the music of other composers it’s often tricky to balance the intentions of the composer with the musical identities of the performers. One hopes that they will realize the composer’s intentions to the fullest of their abilities but at the same time inject the music with new ideas or energy.
8

----------

Artist

Label

Discogs

last.fm

RYM

1) I'm just going to get this out of the way: You are not able to download this album here. Erstwhile is a distributor, and they don't take kindly to our types robbing them of a fistful of dollars (dollars they actually deserve, as opposed to say EMI). Also, this record came out just last year. Go buy it. It's worth it.

2) This post is my response to Taylor's Tatsuya Nakatani post, located just south of here.
9
Blog Archive
Labels
Popular Posts
Popular Posts
Loading
Dynamic Views theme. Powered by Blogger. Report Abuse.